Econlinks: The Freudian interlude

• Seinfeld's spongeworthy Elaine, an unusual, limited-purpose --but very thorough-- option theory application, by the one and only Avinash Dixit.
•  All passé now, but hopefully you did pick your favorite Cupid. 
• New academic econ world order... but only if you fail to control for the quality of the journals  those papers are published in (my conjecture is that if you take only the top 5-10 journals, the US-EU average gap actually widened). Unfortunately, most European academic economists still believe that publishing  frequently into journals (almost) nobody can remember the names of, or reads, actually makes any difference (other than locally). Pretty Freudian, if you ask me.
•  Compensating wage differentials for sexual harassment? Via: Tabarrok's politically incorrect MR example. 
•  Ely has a good analysis of an (the?) ubiquitous situation arising in the econ (not necessarily  junior) job market. Hamermesh's post on Freakonomics is more related to that than you'd first think. 
• Finding the G-spot; next will be tasting it. 
• Massive reorganization of science funding in Europe... Something promised every four years or so; at least in that practice they are consistent. I don't really know why they aim to change these things ever so often, seemingly just to leave their mark, instead of making sure something actually works well, for once . Very European, and very Freudian...
•  Looks a bit shaky research-wise, but let's take it at face value for now: heterogenous effects of the scent of a woman (I guess Colonel Frank Slade had a simpler, yet practical, view of life). In all cases, a related (albeit equally shaky...) study reaches what looks to me like the right conclusions, which even Slade aka Pacino could adhere to: "Our investigation, however, demonstrates that implicitly preventing people from attending to desirable relationship alternatives may undermine, rather than bolster, the strength of that person’s romantic relationship" HT: Freakonomics.
  
  
  

Ah não ser eu toda a gente e toda a parte!

I've watched it most recently via this smart* video rental & online streaming service called Netflix : a true gem of a movie, albeit one of the most underrated cinematographic creations of the past decades (does not have a RottenTomatoes critics' rating!). This is a Wim Wenders meisterwerk, most of the time my favorite (nontrivial; I hold most of Wenders's movies in high esteem). As a by-product, the film is also an effective branding/ marketing tool for Lisboa, and, by extension, Portugal** --in fact, Wenders's original intention had been to make a documentary about the city; suffice to say that Lisbon Story alone would convince me to place Lisboa among my in-no-way-can-miss destinations.  Some highlights: Rüdiger Vogler plays superbly the confused German sound engineer; even though his effective role here is minimal, Patrick Bauchau is perfect as the elusive film director (alter ego of Wenders himself); while Madredeus's Teresa Salgueiro... well, she is just so unique; around them fascinating Lisboa snapshots-- images, sounds, poetry, music, life: what's a key without a kiss?

Earlier on my live discovery of Portugal. Earlier on Madredeus. Earlier on Pessoa.

* not ideal: so far I could find only about 60% of the movies I was interested in watching, with the post-mailed DVD option included. Given my typically unusual choices though, 60% is not that bad. Something like this is badly needed on European soil, too.

** I am going to claim more: this is eventually a great cinematographic statement for and about Europe itself.

One hundred years of AER

 "This paper presents a list of the top 20 articles published in the American Economic Review during its first 100 years. This list was assembled in honor of the AER's one-hundredth anniversary by a group of distinguished economists at the request of AER's editor. A brief description accompanies the citations of each article."

 ***

"Written in celebration of the 100th anniversary of the American Economic Review, this paper recounts the history of the journal. The recounting has an analytic core that sees the American Economic Association as an organization supplying goods and services to its members, one of which is the Review. Early in its history the Review was a multipurpose publication with highly disparate content. Over time the economics profession expanded and more economics research was produced, primarily in the form of journal articles. Editors accommodated this shift by allocating more resources to the refereeing and editing process and more space to research papers."

Econlinks: Of (visual) art, old and new

• The third and the seventh: imagination materialized or Alex Roman's computer generated art. Via Michael Nielsen. 
• Staying in CG: meet Julia Map, of Google ancestry. And since we're here, read how the fractals changed the world --which was in a way also part of the obituary to Father Fractal, Benoit Mandelbrot, who passed away a couple of months ago; see a better one from the Economist. My own brief memories of him: I met Mandelbrot at a workshop on economics with heterogenous agents (WEHIA) at Essex University, back in 2005. Before his keynote speech, he introduced himself in the following very humorous way (paraphrasing): "Hi, I am Benoit Mandelbrot. And I am not dead yet. [pause] I tell you that because I have just met somebody in the corridor who told me: 'OMG, you are Benoit Mandelbrot. I thought you were dead for a long time now' ". 
• Meet Jeremy Mayer, tamer of the typewriter. "I disassemble typewriters and then reassemble them into full-scale, anatomically correct human figures. I do not solder, weld, or glue these assemblages together- the process is entirely cold assembly. I do not introduce any part to the assemblage that did not come from a typewriter". 
• Back to the traditional, but impressively executed: meet Camille Seaman. From the "Last Iceberg series" statement: "Nick Cave once sang, 'All things move toward their end.' Icebergs give the impression of doing just that, in their individual way much as humans do; they have been created of unique conditions and shaped by their environments to live a brief life in a manner solely their own. Some go the distance traveling for many years slowly being eroded by time and the elements; others get snagged on the rocks and are whittled away by persistent currents. Still others dramatically collapse in fits of passion and fury."
• On the art of fiction: interview with Michel Houllebecq, born provocateur. Hat tip MR.
• And yes, she is back online (hopefully she is now here to stay)! Meet my friend Anna, talented photographer and undercover economist. 

The quest for good old kiełbasa in the Big Apple

We ventured out to the Polish neighborhood yesterday. Nothing as compared to Chicago, but nonetheless good sausages. But after five minutes we went to the wrong direction, and ended up in a derelict, post-industrial nightmare instead of lively Polish ladies selling imported toilet paper. 

-Daniel, venturesome lover of all things Polish-

A little blizzard. Treated with Tanya.

Will it beat the legendary 1967 one? My Lakeview Lake Shore apartment windows are shaking,  but so far holding up (they'd  better: in Chicago terms, I am paying a fortune for this place). Yes, somehow  I made it home; Evanston likely cut off from Chicago for the next couple of days, Northwestern closed for the time being. No better time than now for listening loudly to Gordon and Byrd's Tanya: Part 1 + Part 2 in the original 1964 recording; later Tanya sample with Dexter Gordon proving his worth. A tune indeed* one flight above pretty much anything else. Blizzard-proof, too.

* some credits due to my jazz-expert friend Dean