Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Saturday, March 12, 2011

Sondheim, Burton, Depp and Rickman's "Pretty Women"

I tend to watch great movies with a considerable delay..., but then again, my feeling is that I get to appreciate them much more in this way, aside all the initial hype and the turmoil associated with a new release (an auxiliary gain is that I can discard-- without having to go through the pain of actually watching them-- a lot of movies which were released with high expectations, only to turn out total flops, hence really what remains is above average or, in the best case, excellent). One of these movies is Tim Burton's Sweeney Todd (IMDb, RottenTomatoes), the movie version of Stephen Sondheim's famous musical that premiered only days before I was born (i.e., an eternity ago)-- and which I still promise myself to see on Broadway at some point (or: in London-- Sweeney Todd the musical was rumored to know a revival in London this year-- perhaps with Alan Rickman in the role of Judge Turpin, as in the movie; but, as it looks, this will hardly happen before next year...). In any case, this movie easily gets very high in my top movies all time, at least top 10 (my 25-movie hierarchy put together a while ago has changed significantly since then, as you no doubt noticed if you followed --particularly recent--blogposts set in my "movies" category).

Briefly, this movie broke several personal records among my earlier movie rankings/assessments: i). it is by far my favorite film version of a musical (Chicago was my top choice so far); ii). it is also my winning choice for a dark humor movie (title claimed earlier by Delicatessen); iii). it is my number one Tim Burton movie so far (though I still have to see some of his movies that might challenge that); iv). it is my best Johnny Depp movie to date (and I can safely say that I have seen most productions in which he acted; however, with Depp one can expect any time a new movie which can claim the first place in this ranking; another interesting observation I would make here is that Johnny Depp has that amazing quality of almost always being outstanding in his role, even if the rest of the movie in which he happens to play is mediocre or worse, which happened in a few cases). These opinions were strengthened after watching 'the make of', i.e. a series of interviews available  also on the DVD of the movie, with Tim Burton, Johnny Depp, Helena Bonham Carter, Alan Rickman, and several others among the actors and crew, plus the one and only Stephen Sondheim*.

Anyway, the point of me writing this post was to emphasize my possibly favorite scene of the movie (I say "possibly" because this choice might be mood-dependent to some extent), also my favorite piece of music from the soundtrack, the "Pretty Women" duet scene between Sweeney Todd and Judge Turpin (which remained in my memory and would not go away since). Here's the full scene from the movie. Here's an audio version only, with better sound quality. And here's an audio version with lyrics**.


* I thought of Sondheim as a genius ever since I first saw/listened to West Side Story, the Bernstein-Sondheim masterpiece. Among the interviews available on the DVD of "Sweeney Todd" there is one amusing line of Alan Rickman (who, by the way, played superbly Judge Turpin; more generally, the few movies where I have seen Rickman acting--still have to see some of the older ones-- already place him extremely high in my actors' ranking). He confesses that he thought absolutely crazy the fact that the great Stephen Sondheim himself came to listen to, criticize, and encourage the actors--most of whom never sang publicly before and were thus 100% amateurs when it came to musicals.

** There are other fabulous parts of the soundtrack/scenes (after all, the whole thing is superlative, you should not miss anything!). A personal selection: "No place like London", "Johanna" (Antony's version), "By the sea", "Epiphany",  "My friends", "A little priest"-- the latter with a bonus: "A little priest" 2005 live version, with the original Sweeney Todd musical casting of Angela Landsbury as Mrs. Lovett and Len Cariou as Sweeney Todd.

Thursday, February 10, 2011

Ah não ser eu toda a gente e toda a parte!

I've watched it most recently via this smart* video rental & online streaming service called Netflix : a true gem of a movie, albeit one of the most underrated cinematographic creations of the past decades (does not have a RottenTomatoes critics' rating!). This is a Wim Wenders meisterwerk, most of the time my favorite (nontrivial; I hold most of Wenders's movies in high esteem). As a by-product, the film is also an effective branding/ marketing tool for Lisboa, and, by extension, Portugal** --in fact, Wenders's original intention had been to make a documentary about the city; suffice to say that Lisbon Story alone would convince me to place Lisboa among my in-no-way-can-miss destinations.  Some highlights: Rüdiger Vogler plays superbly the confused German sound engineer; even though his effective role here is minimal, Patrick Bauchau is perfect as the elusive film director (alter ego of Wenders himself); while Madredeus's Teresa Salgueiro... well, she is just so unique; around them fascinating Lisboa snapshots-- images, sounds, poetry, music, life: what's a key without a kiss?

Earlier on my live discovery of Portugal. Earlier on Madredeus. Earlier on Pessoa.


* not ideal: so far I could find only about 60% of the movies I was interested in watching, with the post-mailed DVD option included. Given my typically unusual choices though, 60% is not that bad. Something like this is badly needed on European soil, too.
** I am going to claim more: this is eventually a great cinematographic statement for and about Europe itself.

Tuesday, October 05, 2010

Econlinks: Kamelåså et al


  • Before I come up with my Econ Nobel forecast -- a week to go, stay tuned-- let us take a look to the 2010 Nobel Ig prizes related to Economics. The Economics Ig Nobel itself is perhaps not very unexpected this year--though not very creative either (I wonder whether Oliver Stone is behind this too; his latest movie gets pretty mediocre reviews-- IMDb, RottenTomatoes-- despite all the hype). The "Management" Nobel Ig reads much better (but I still need to check out that paper): "Alessandro Pluchino, Andrea Rapisarda, and Cesare Garofalo of the University of Catania, Italy, for demonstrating mathematically that organizations would become more efficient if they promoted people at random. REFERENCE: “The Peter Principle Revisited: A Computational Study,” Alessandro Pluchino, Andrea Rapisarda, and Cesare Garofalo, Physica A, vol. 389, no. 3, February 2010, pp. 467-72."

  • Mankiw's excellent advice for all new college freshmen. Do learn some Economics, Statistics, and Finance, (ok, even Psychology, though this is second order) for your own sake... Couldn't have phrased it better.







Saturday, August 14, 2010

Up in the air

It is great, truly great. In fact IMDb and RottenTomatoes do not give it sufficient credit. I was told I would love it, by people who know me, but I didn't just love it: I adored it. One of my favourite scenes is also one of the most brilliant dialogues/pick-up strategies, on screen and beyond. It is a shame the movie did not win any Oscars, given the six (only!) nominations it received. "Superlative" is not doing enough justice to the acting performances of George Clooney, Vera Farmiga or Anna Kendrick, with the film also an example of perfect direction and screenplay by Jason Reitman & co. It belongs right there, in my top 5 all-time favourites.

To top it all, I've seen "Up in the air" just the proper way, up in the air-- during my Chicago-Amsterdam trip yesterday. And, obviously, I write this post from Schiphol's KLM lounge, soon to be up in the air again, this time to Shanghai. "Bingo. Asians."

Tuesday, February 02, 2010

Albert Einstein Bizottság: Szerelem

I don't think it has occured to any of you that simulated maximum likelihood OX programs, which often take days to converge (given I do not--yet!-- have the parallel computing power I would love to possess...), run much faster if in the meantime one listens to Albert Einstein Committee's brilliant music. Without any doubt, this is the best ever Hungarian band (where I 200% agree with the master of all good Hungarian music, wisest Daniel); and-- as conjecture-- probably the best Eastern-Central European band of the 80's (this should be as clear as-- to switch areas for a second-- the best movie of the same time, same region, being the Polish film "Seksmisja"; unfortunately no time to go in that direction today). Had they sung also in English, they could have been as popular as, dare I say, the Beatles (ok, I said it), two decades earlier; in any case, a band with a similar fate (extremely popular among domestic intelligentsia, but without too much exposure outside, mainly because of the language barrier) , about the same period, but in Western Europe, is for instance the Dutch band Doe Maar. In Romania, the closest to A.E. Bizottság is probably Timpuri Noi (though their top work came out in mid/late 90's).

A subset of my favourite A.E. Bizottság pieces: "Szerelem" (perfect; if you make an effort to understand the lyrics, you will fully agree); "Kamikaze"; "Már megint ez a depresszió "; "Konyhagyeplő" ; "Putty Putty"; "Egy lány kéne nékem" (oh well, I see this one comes with a striptease session in the youtube clip; depending on your tastes/orientation that might be a plus or a minus :-)); finally (update) listen to/see this if you want the total fun part. You will enjoy all of it!


PS. Check out some other excellent/interesting Hungarian music I mentioned earlier on this blog: here, here, here, here, or here. Blame YouTube if clips are not available any longer (though, tip: you can still find them, if you search carefully, under different links).

Thursday, November 12, 2009

Econlinks

  • Endless Summers (via Mankiw). Supercilious he might well be, but some of us still find him absolutely fascinating-- I think I am (in the process of) understanding why :-). Earlier (first bullet point).

  • They cannot be blamed for defending/arguing what's in their best interest (click on the British flag in the upper right corner to get to the article in English, if you do not see it immediately through the link above); however, in my opinion, their general case is overstated: most of the translation services as hitherto understood are redundant. There is still a case (and a premium) for translation services from/to Arabic, Mandarin, Japanese & the like, but certainly not for European to European languages, and certainly not in countries from Scandinavia or Benelux...

Thursday, January 15, 2009

Econlinks

  • Intercontinental flights are also occasions to watch on-the-watch!-list movies you didn't watch yet: in my latest I finally saw Woody Allen's-- already (in)famous -- "Vicky, Cristina, Barcelona" (IMDb, RottenTomatoes). My verdict: the movie is excellent (my favourite from Woody Allen remains however Sweet and Lowdown), with some of the dialogues between the main characters simply brilliant. In particular, I think Javier Bardem should have also gotten (the movie did get one) the Golden Globe (though I have to confess that I have not seen yet 'In Bruges', with the winner at this category, Farrell-- hence this assessment is simply using my biased priors). Bardem's role in this movie, Juan Antonio, is a perfect maximizer of instantaneous utility, has a close-to-infinite temporal discounting factor and, needless to say, I also share with him, though so far with less practical success, the more ex/rotic principles :-).

  • Email your future self in T years, where 0.25 less than T less than 29 (constraints as of now/ for now). Check for instance if your current principles are time invariant... or simply wish yourself "Happy Birthday" for when you're likely to be alone and grumpy :-). PS. Make sure the email address you provide will actually survive those T years...

  • With the occasion of my San Francisco & surroundings trip, after my ASSA conference, I also gave a seminar at UC Merced, a very new UC university, on my (older) co-authored paper "Returns to tenure or seniority?" (download the latest draft; a new version will be available soon); get also the actual presentation from Merced, for any of you interested. The Econ group at UC Merced is very small still, but I had a great time interacting with each of them, and some really interesting comments. Many thanks to Alex, Katie, Shawn, Todd and Justin-- with very special thanks to Alex for the invitation and organizing everything! My only regret: did not manage to make it this time to Yosemite, despite its being very close to Merced! Next time, there will obviously be a next time...

Tuesday, May 06, 2008

A well deserved Pulitzer and pearls before lunch...

I must be the most ignorant person ever: I've only found out today (via Terry Tao) that this superb article by Gene Weingarten, "Pearls before breakfast", likely the best I've ever read in the Washington Post, won a well deserved Pulitzer Prize for Feature Writing about a month ago.

And since the credit should definitely be shared with this phenomenon called Joshua Bell, here's the (short, but intense) musical piece I propose to you before lunch today: Josh playing an excerpt from "The Red Violin", composition by John Corigliano, who won with it an Oscar for Best Music, Original Score, in the movie "The Red Violin" (IMDb, RottenTomatoes). Here's one of the best scenes of this movie (with Josh Bell playing again in the background).

Monday, February 18, 2008

Chinese (Couch) Potato

"Tudou.com" (="Potato", in Romanized Chinese) is one of the several Chinese "Youtubes", seemingly the largest one at present (possibly larger than YouTube itself in some dimensions). Tudou's stated goal is "to move couch potatoes from the TV screen to computer screens, a process very much under way in China". Here's their wiki entry. While this might be not very exciting yet, what might knock you out is the fact that you can watch on Tudou an amazing number of excellent (whole) movies, both recent and old, in very high definition media format (typically split in several parts). For instance, you can find entirely the top 5 movies (and probably most of the rest, as well) from my 25 favourite movies list (which needs an update). Thus, if you have the time (even if you are not per se a couch potato), go for it: they've got an impressive collection. You can search for the titles of the movies in English: don't be put off by the Chinese, should you not understand it :-). It might be of course just a matter of time before Tudou will also have to start removing some of its material because of copyrights infringement (I am not sure to what extent that is a problem already, but at least concerning recent movies such as Sweeney Todd, the likelihood of foul play is very high...), but the Chinese legislation in context appears to be more than lenient for the time being.

Sunday, January 20, 2008

Is there or is there not?

It occurred to me that maybe there was no Romanian translation of the sentence “Do you know who I am?” — which would have been the first thing out of an American director’s mouth in a similar situation. Or perhaps this was a double-edged metaphor: maybe in Bucharest, nowadays, a filmmaker with a prize from Cannes is nothing special.



These are the last lines of a very interesting article by movie critic Anthony Scott on the new wave in Romanian cinema (and if you didn't know: Scott considers Mungiu's movie "4 months, 3 weeks and 2 days" --wiki, IMDB, RottenTomatoes-- the best movie of 2007)

HT to Dan, who also has many other interesting comments.

Read also a previous entry of mine on Romania and the world of film.

Monday, December 17, 2007

Romania and the world of film

...Nouvelle Vague, Dogma, The Berlin School, The December Children. Not bad, not bad at all. Once you are part of that set, you are somebody. Finally.

PS. And maybe somebody I know was very right when choosing the 'film studies' direction. Just maybe.

Sunday, October 21, 2007

Quote/movie scene for week 14th- 20th of October '07

In many ways, the work of a critic is easy. We risk very little yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face is that, in the grand scheme of things, the average piece of junk is more meaningful than our criticism designating it so [...]

Anton Ego, character in the movie "Ratatouille"


Listen to Ego's full review on YouTube -- my selected movie scene of the week-- with the food critic superlatively dubbed by Peter O'Toole throughout the movie. I should also say that Ratatouille (IMDb, RottenTomatoes) just made it to my top 25 movies.



Sunday, August 12, 2007

Constructive alignment

An interesting didactical short movie (20 min) by a team at the University of Aarhus, about teaching at the university level (link to the google video). The subject is built around the "constructive alignment" paradigm of John Biggs. Recommended both to university lecturers (and, with some caveats, also highschool teachers) and students. The movie can be rather slow at times (especially for those that know something about the topic...), but be patient until the end, the idea is -- eventually-- well addressed :-).

Here's the statement of the jury that awarded the "Golden Ratio" prize to this movie, last year:


The production conveys substantial insights from the area of didactics (university studies in education). It is a basis for a discussion about three perspectives on higher education; the students' activities, the teachers' activities, and the subject matter to be taught and learned.

It is intended for teachers and students at higher educational institutions. It is an exemplary basis for reflection with good identificational opportunities for the target audience.
In about twenty minutes it manages to convey a complicated message in a very well-structured and thought-provoking way.

One of the mechanisms used is humour; another, images and graphics. It is not just a double portrayal, where images and spoken words elicit the same information in two different ways. On the contrary, sound, image, and graphic elements are brought together elegantly forming one united expression.

PS. Susan, the "good student" in the movie, is very likely played by a Romanian: her name is Doina Bucur. Probably there are more Romanian students/researchers at the University of Aarhus than I imagined.

Wednesday, June 20, 2007

Quote for the week 17th - 23rd of June '07 (and for all the previous weeks without quotes)

This is nothing. This is nothing. Piece of cake, walk in the park. This is nothing.


Stanley Motss (aka Dustin Hoffman in "Wag the Dog")



Previous quote of the week (a few weeks before).

Thursday, May 24, 2007

Song of the day/ Movie scene of the week 20th to 26th of May '07: "The Trial", from "Pink Floyd The Wall"

This is a classic, hence I can (I will!) keep it short, without any intros, but just giving the necessary links. The song I propose for today (nothing is a coincidence :-)), "The Trial", is one of my favourites from Pink Floyd's "The Wall", which is one of my favourite albums from Pink Floyd (wikientry), which at its turn is really in the top of my favourite music bands of all times, as I already confessed.

This post is, at the same time, also about the superb film version of "The Wall" (see also its IMDb entry) and "The Trial" scene constitutes the perfect scene for this week.

To put music and motion picture together, here's the youtube clip of "The Trial." A masterpiece, really. Here's the essence (err... sentence):

Since, my friend, you have revealed your deepest fear,
I sentence you to be exposed before your peers!
Tear down the wall!




Saturday, May 19, 2007

Movie scene for week 13 to 19th of May '07: Al Pacino's 'pro integrity' speech from "Scent of a Woman"

I already selected, a while ago, one other scene of this amazing movie, as part of my "movie scene of the week" blog-category. I therefore will not write anything else about the movie as a whole, but directly propose to you this flawless performance of Al Pacino, aka Colonel Frank Slade, as movie scene of this ending week. Why this scene, why this speech, why exactly now? Well, because I feel that precisely now it's high time we returned to the concept of 'integrity' and to what that precisely entails. It's high time we discussed about courage. About true leadership. About being yourself and taking decisions on your own. About the limit to the compromises one should make, about avoiding an "amputated soul"... About being responsible. About "choosing the path made of principle... that leads to character"... The speech here is better than anything else I know of in pleading for all these.


Thanks to script-o-rama.com, I could find the whole script of the movie (most likely a lot of effort, certainly a great idea, my deepest appreciation!), hence I am also able to display below the most memorable parts of the dialogue from the scene linked above, between Mr. Trask, Charlie Simms and Frank Slade. Whoo-ah!!!

[...]

Frank Slade: Mr. Simms doesn't want it. He doesn't need to be labeled..."still worthy of being a Baird man." What the hell is that? What is your motto here? "Boys, inform on your classmates, save your hide; anything short of that, we're gonna burn you at the stake" ? Well, gentlemen, when the shit hits the fan, some guys run... and some guys stay. Here's Charlie facin' the fire, and there's George... hidin' in big daddy's pocket. And what are you doin' ? You're gonna reward George... and destroy Charlie.


Mr. Trask: Are you finished, Mr. Slade ?


Frank Slade: No, I'm just gettin' warmed up! I don't know who went to this place. William Howard Taft, William Jennings Bryant... William Tell, whoever. Their spirit is dead, if they ever had one. It's gone! You're buildin' a rat ship here, a vessel for seagoin' snitches. And if you think you're preparin' these minnows... for manhood, you better think again, because I say you are killin' the very spirit... this institution proclaims it instills! What a sham! What kind of a show you guys puttin' on here today? I mean, the only class in this act is sittin' next to me. And I'm here to tell you... this boy's soul is intact. It's non-negotiable! You know how I know? Someone here, and I'm not gonna say who, offered to buy it. Only Charlie here wasn't sellin'...


Mr. Trask: Sir, you're out of order!


Frank Slade: Out of order... I show you out of order! You don't know what out of order is, Mr. Trask. I'd show you, but I'm too old, I'm too tired, too fuckin' blind. If I were the man I was five years ago, I'd take... a flamethrower to this place! Out of order! Who the hell you think you're talkin' to ? I've been around, you know? There was a time I could see! And I have seen! Boys like these, younger than these, their arms torn out, their legs ripped off. But there is nothin' like the sight... of an amputated spirit. There is no prosthetic for that. You think you're merely sendin' this splendid foot soldier... back home to Oregon with his tail between his legs, but I say you are... executin' his soul! And why? Because he's not "a Baird man"... Baird men... You hurt this boy, you're gonna be Baird bums, the lot of you. And... Harry, Jimmy, Trent, wherever you are out there, fuck you too !

Mr. Trask: Stand down, Mr. Slade !

Frank Slade: I'm not finished! As I came in here, I heard those words: "cradle of leadership." Well, when the bough breaks, the cradle will fall, and it has fallen here. It has fallen! Makers of men, creators of leaders... be careful what kind of leaders you're producin' here. I don't know if Charlie's silence here today... is right or wrong; I'm not a judge or jury. But I can tell you this: he won't sell anybody out... to buy his future! And that, my friends, is called integrity! That's called courage! Now that's the stuff leaders should be made of! Now I have come to the crossroads in my life. I always knew what the right path was. Without exception, I knew... but I never took it. You know why? It was too damn hard. Now here's Charlie. He's come to the crossroads. He has chosen a path. It's the right path. It's a path made of principle... that leads to character. Let him continue on his journey. You hold this boy's future in your hands, Committee! It's a valuable future, believe me! Don't destroy it! Protect it! Embrace it! It's gonna make you proud one day, I promise you.

[...]


Watch the movie scene of the previous week.

Saturday, May 12, 2007

Movie scene of the week 6th to 12th of May '07: Awe-stricken Salieri facing Mozart's genius, in "Amadeus"

Milos Forman's "Amadeus" is for now my absolute favourite (really and really my number 1!) movie of all times (I presented a while ago on this blog my current top 25). The 8 Oscars (and other 3 Academy Awards nominations) , plus numerous other prizes at various film festivals all around the world, that this movie won, are really just the least amount of recognition it deserves. One of my favourite scenes from this masterpiece (and one that in several ways matches this past week...) is the fragment depicting Salieri's (involuntary) reaction of astonishment when faced with perfection, with "absolute beauty", with the divine nature of Mozart's new works (the 'core' part I aim for here starts after approx. 3'30'' in the YouTube clip linked above). A brilliant, simply brilliant acting here by F. Murray Abraham, as Antonio Salieri (certainly deserving the Oscar for his performance throughout all of "Amadeus")! Here's the part of the script rendering Salieri's feeling of pure awe:

Astounding?! It was actually... it was beyond belief. These were first and only... drafts of music. But they showed no corrections of any kind. Not one! He'd simply written down music... already finished... in his head. Page after page of it. As if he were just taking dictation. And music... finished as no music is ever finished. Displace one note... and there would be diminishment. Displace one phrase, and the structure would fall. It was clear to me... that sound I had heard in the Archbishop 's palace... had been no accident. Here, again, was the very voice of God! I was staring through the cage... of those meticulous ink strokes... at an absolute beauty...


But let's get to the music from the core of the scene (and YouTube really helps in here- I just love it!). The music from the scores that Salieri is reading with such marvel is, in chronological order, fragment from: Concerto for flute and harp in C major, K 299 (2nd Movement, Andantino) - listen to all the 2nd mvm. here; Symphony No 29 in A major, K 201 (1st Movement, Allegro Moderato)- listen to all the 1st mvm. here; Concerto for two pianos, No 10, in E flat, K 365 (3rd Movement)- listen to all the 3rd mvm. here, in an awesome performance by Keith Jarrett and Chick Corea!!!; Symphony Concertante, K 364 (1st Movement)- listen to the first part of the 1st mvm. here; and Great Mass in C minor: Kyrie, K 427- listen to this astounding piece here. There is also a 3-CD set that contains all Mozart's pieces (partly) played in the movie (and that I obviously have for quite a while now...).



The movie scene of the previous week.

Saturday, May 05, 2007

Movie scene for the week 29th of April to 5th of May '07: The Dance Contest Scene from "Pulp Fiction"

This is the movie scene that best characterizes this (past) week. Dominant (and irresistible) Mia Wallace + ' good for everything' Vincent Vega + maestro Chuck Berry in the background with "You can never tell". The result is one of my favourite scenes from Tarantino's undisputed masterpiece, which is certainly among my top movies of all times.


Movie scene for the previous week.

Thursday, April 26, 2007

Movie scene for week 22nd to 28th of April: "Are you a dreamer?", from "Waking Life"

This week goes perfectly with one of my favourite scenes from one of my favourite movies ever, Waking Life. As you might recall, this movie is in my (current) very top 5 and it has high chances of hanging up there for a long while... I also dedicated an entire post to this movie some time ago. The scene I selected for today is "Are you a dreamer?" (after all, a leitmotif in 'Waking Life') and I also wrote down for you the whole dialogue/monologue between (the voices of) the main character - Wiley Wiggins and "the man in the train" - David Martinez:

Hey.
Hey.
You a dreamer?
Yeah.
I haven't seen too many around lately. Things have been tough lately for dreamers. They say dreaming is dead... that no one does it anymore. It's not dead, it's just that it's been forgotten. Removed from our language. Nobody teaches it, so no one knows it exists. The dreamer's banished to obscurity. I'm trying to change all that, and I hope you are too. By dreaming, every day. Dreaming with our hands and dreaming with our minds. Our planet is facing the greatest problems it's ever faced, ever. So whatever you do, don't be bored. This is absolutely the most exciting time we could have possibly hoped to be alive! And things are just starting.
[my emphasis in bold: make it your motto]


More: the music in the background is in perfect harmony with the text: "In dreams" by Roy Orbison. You can also listen to the full version.