Jazz Impressions of Japan

The flawless Koto Song is my newest 'creative background piece': works miracles for theory modeling! For running regressions give Tokyo Traffic a shot.

More on Brubeck's best album ever (with some credits to my jazz-expert friend Dean). 

Earlier on Brubeck's genius. 

Earlier on my (incipient) fascination with Japan's culture. 

Work in progress

In the quest for the epiphany, I am happy to report reaching the lesser, though nonetheless revealing, epistrophy stage. Credits due to Thelonius Monk --and a (was it 2006?) François Villard Condrieu De Poncins quaffed yesterday at Alinea.

Sondheim, Burton, Depp and Rickman's "Pretty Women"

I tend to watch great movies with a considerable delay..., but then again, my feeling is that I get to appreciate them much more in this way, aside all the initial hype and the turmoil associated with a new release (an auxiliary gain is that I can discard-- without having to go through the pain of actually watching them-- a lot of movies which were released with high expectations, only to turn out total flops, hence really what remains is above average or, in the best case, excellent). One of these movies is Tim Burton's Sweeney Todd (IMDb, RottenTomatoes), the movie version of Stephen Sondheim's famous musical that premiered only days before I was born (i.e., an eternity ago)-- and which I still promise myself to see on Broadway at some point (or: in London-- Sweeney Todd the musical was rumored to know a revival in London this year-- perhaps with Alan Rickman in the role of Judge Turpin, as in the movie; but, as it looks, this will hardly happen before next year...). In any case, this movie easily gets very high in my top movies all time, at least top 10 (my 25-movie hierarchy put together a while ago has changed significantly since then, as you no doubt noticed if you followed --particularly recent--blogposts set in my "movies" category).

Briefly, this movie broke several personal records among my earlier movie rankings/assessments: i). it is by far my favorite film version of a musical (Chicago was my top choice so far); ii). it is also my winning choice for a dark humor movie (title claimed earlier by Delicatessen); iii). it is my number one Tim Burton movie so far (though I still have to see some of his movies that might challenge that); iv). it is my best Johnny Depp movie to date (and I can safely say that I have seen most productions in which he acted; however, with Depp one can expect any time a new movie which can claim the first place in this ranking; another interesting observation I would make here is that Johnny Depp has that amazing quality of almost always being outstanding in his role, even if the rest of the movie in which he happens to play is mediocre or worse, which happened in a few cases). These opinions were strengthened after watching 'the make of', i.e. a series of interviews available  also on the DVD of the movie, with Tim Burton, Johnny Depp, Helena Bonham Carter, Alan Rickman, and several others among the actors and crew, plus the one and only Stephen Sondheim*.

Anyway, the point of me writing this post was to emphasize my possibly favorite scene of the movie (I say "possibly" because this choice might be mood-dependent to some extent), also my favorite piece of music from the soundtrack, the "Pretty Women" duet scene between Sweeney Todd and Judge Turpin (which remained in my memory and would not go away since). Here's the full scene from the movie. Here's an audio version only, with better sound quality. And here's an audio version with lyrics**.

* I thought of Sondheim as a genius ever since I first saw/listened to West Side Story, the Bernstein-Sondheim masterpiece. Among the interviews available on the DVD of "Sweeney Todd" there is one amusing line of Alan Rickman (who, by the way, played superbly Judge Turpin; more generally, the few movies where I have seen Rickman acting--still have to see some of the older ones-- already place him extremely high in my actors' ranking). He confesses that he thought absolutely crazy the fact that the great Stephen Sondheim himself came to listen to, criticize, and encourage the actors--most of whom never sang publicly before and were thus 100% amateurs when it came to musicals.

** There are other fabulous parts of the soundtrack/scenes (after all, the whole thing is superlative, you should not miss anything!). A personal selection: "No place like London", "Johanna" (Antony's version), "By the sea", "Epiphany",  "My friends", "A little priest"-- the latter with a bonus: "A little priest" 2005 live version, with the original Sweeney Todd musical casting of Angela Landsbury as Mrs. Lovett and Len Cariou as Sweeney Todd.

Ah não ser eu toda a gente e toda a parte!

I've watched it most recently via this smart* video rental & online streaming service called Netflix : a true gem of a movie, albeit one of the most underrated cinematographic creations of the past decades (does not have a RottenTomatoes critics' rating!). This is a Wim Wenders meisterwerk, most of the time my favorite (nontrivial; I hold most of Wenders's movies in high esteem). As a by-product, the film is also an effective branding/ marketing tool for Lisboa, and, by extension, Portugal** --in fact, Wenders's original intention had been to make a documentary about the city; suffice to say that Lisbon Story alone would convince me to place Lisboa among my in-no-way-can-miss destinations.  Some highlights: Rüdiger Vogler plays superbly the confused German sound engineer; even though his effective role here is minimal, Patrick Bauchau is perfect as the elusive film director (alter ego of Wenders himself); while Madredeus's Teresa Salgueiro... well, she is just so unique; around them fascinating Lisboa snapshots-- images, sounds, poetry, music, life: what's a key without a kiss?

Earlier on my live discovery of Portugal. Earlier on Madredeus. Earlier on Pessoa.

* not ideal: so far I could find only about 60% of the movies I was interested in watching, with the post-mailed DVD option included. Given my typically unusual choices though, 60% is not that bad. Something like this is badly needed on European soil, too.

** I am going to claim more: this is eventually a great cinematographic statement for and about Europe itself.

A little blizzard. Treated with Tanya.

Will it beat the legendary 1967 one? My Lakeview Lake Shore apartment windows are shaking,  but so far holding up (they'd  better: in Chicago terms, I am paying a fortune for this place). Yes, somehow  I made it home; Evanston likely cut off from Chicago for the next couple of days, Northwestern closed for the time being. No better time than now for listening loudly to Gordon and Byrd's Tanya: Part 1 + Part 2 in the original 1964 recording; later Tanya sample with Dexter Gordon proving his worth. A tune indeed* one flight above pretty much anything else. Blizzard-proof, too.

* some credits due to my jazz-expert friend Dean

Des petits trous, des petits trous, toujours des petits trous...

I attended two excellent jazz events last week, jazz being one thing the Chicago music scene excels at (*).

The first was "Brazilian Nights" with Paulinho Garcia and some very talented NU jazz students, at the Regenstein Hall in the NU campus. Best live bossa nova since Eliane Elias's concert in Denmark a couple of years ago. Could not find any of the pieces from the concert I mention above (let me know if you trace Chega de Saudade in Paulinho Garcia's rendition anywhere) but check out Garcia in an amazing duet on Batida Diferente, one piece that well emphasizes both his guitar and vocal abilities.

The second was a super interesting fusion of gypsy jazz, chansons, latin & more-- indeed a "fantastic French-y performance" as they themselves call it-- by Paris La Nuit, at Katerina's. On their site you can directly listen to several nice pieces (try for instance J'ai Un Revolver, that rendition is superb). All the members of the quintet, format in which they played at Katerina's, are superlative on their own  (though only the bassist markets herself properly), while they also almost perfectly synchronize within the team. A plus for Marielle, the talented lead singer and violinist: she's got the style and theatrical presence, something one might think a sine qua non in this business, but nonetheless pretty hard to come by... Way above my uninformed priors; I am sure I'll hear many good things about them in the near future. Check them out also in quartet format, interpreting Serge Gainsbourg's Le Poinçonneur des Lilas (with the risk of committing the sacrilège: despite that song launching Gainsbourg, I prefer Paris La Nuit's jazzy version)

(*) although, talking about Chicago jazz in general, not all is rosy: local organizers & hosts tend to overstate the public's demand for "large band jazz", think long Green Mill Thursdays, for instance...; in other words, I'd vote anytime for New York- vs. New Orleans- type of jazz.

Take 5 in 2011

Let us start this new year with a legendary jazz piece: Paul Desmond's "Take Five"; recall first the original instrumental version, superbly interpreted here by The Dave Brubeck Quartet, exactly 5 decades ago. Once you've got the feeling, proceed to the vocal variant--with lyrics by Iola and Dave Brubeck-- to capture the whole message; one of my favorite versions must be the very creative Dave Brubeck- Al Jarreau '97 get-together, the first and likely the only time they performed on the same stage.

Happy New Year!

Merry Christmas!

From me, Tony Bennett, Graham Chapman, and the rest of the crew.

Flawless: Kseniya

I have not seen anything more dramatic and powerful than this in the modern art world perhaps since Pink Floyd's The Wall movie. This is a work of perfection, there is no single detail left to chance; for instance, obviously it could have only ended apocalyptically-- on Apocalyptica's version of Nothing Else Matters.

After this, what is left for us to write? I bow in front of the real talent.



Blog birthday. Senses. And jazz.

Born in the anonymity of the blogosphere 5 years ago, this weblog grew up a curious, motivated, and responsible toddler: its (no longer) secret ambition remained no less than saving the world-- despite repeated trials of dissuasion by its author, who once foolishly pledged allegiance to the infusion of blogs about nothing. Thus, as this blog claims and proved a certain maturity, it will receive two significant presents for its half decade birthday. To be shared with its select audience:

• a second perennial motto, see blog footer; David Hilbert's Optimismus in der Forschung (und in das Leben!) is joined by Giacomo Casanova's raison d'être.
• a wonderful, complex, complete musical masterpiece; Chicago right now feels almost as dim and rainy as Barron and Haden's flawless "Twilight" in NYC.

Eterna è la strada che va

I've been a fan of "Banco del Mutuo Soccorso" (wiki, official) for an indefinite number of years now. I hold for instance the view that their first three early '70s albums -- which I listen to frequently, on my iPod, e.g. while travelling from Chicago to Evanston and back--, Banco del Mutuo Soccorso, Darwin!, and respectively Io sono nato libero, are composed almost entirely of genius works, surprisingly underrated and little known outside intelligentsia circles (even in Italy). It is pretty hard to pin B.M.S.'s style down, or relate it to any other band's, since they combine uniquely various musical genres, rock, jazz, classical, all that plus the so Italian cantautore sort, in masterpieces that ought to rival in status and fame Pink Floyd's brightest creations.

Anyway, here is my number 1 choice: enjoy the superlative Il giardino del mago (very decent quality YouTube clip), from their first album-- with today's runner-up being Canto nomade per un prigionero politico, the major piece from Io sono nato libero.

Check out also my earlier blog incursions into the territory of Italian good music, here, here, and here. More will follow.

Shawms and bagpipes

Superlative medieval tones, and a combined use of Romanian & Latin lyrics, in Mille Anni Passi Sunt. Plus, you cannot afford to miss my other personal favourites (including videoclips of live --ad litteram-- shows): Dulcissima, O Varium Fortune, Venus Vina Musica, Totentanz, Chou Chou Sheng, Ballade de Mercy, Suam Elle Ires. A total medieval feast, by the extremely creative Corvus Corax!

(with credits to The Eclectic Metalhead, and YouTube).

Sunday night econlinks: Interviews edition

• Sequence of very welcome interviews by John Cassidy with several members of the “Chicago School”, about the status of Economics in the context of the current crisis, the Chicago School nowadays, the Milton Friedman legacy etc: interview with Richard Posner; Eugene Fama; John Cochrane; Gary Becker; Jim Heckman; Kevin Murphy; Raghuram Rajan; and Richard Thaler (my favourite interviews here are the ones with Murphy, Heckman, and Rajan).

• Interesting interview with urban and environmental economist Matthew Kahn on green cities, environmental Kuznets curves, demographics in major cities, policies to attract and retain a skilled population base etc. Here’s one of the parts I like most: “I'm an honest man. I think it's important to know what you don't know. When you know that you don't know something, the answer is to experiment! “ Valid beyond this context.

• A chat with Greg Mankiw, Harvard professor, successful Economics blogger, former CEA head, and a total family guy.

• December ’09 video interview with John Nash; inter alia briefly touching on inaccuracies in A Beautiful Mind , childhood, home encyclopedias, meeting his wife, asking refugee status in Europe, willingness to still do some academic work etc.

• Interview with entrepreneur Peter Thiel, among other things cofounder of Paypal, and first investor in Facebook. Though confused about a few specific issues, his overall idea makes a lot of sense.

• Short interview with Yoram Bauman, the one and only stand-up Economist, on the need for humor and cartoon textbooks in Economics. We love this quote: “I put my left hand on the small of her back, I put my right hand on the curve of her hip, I put my invisible hand on her thigh”

• And finally, a very special simultaneous interview/debate (or, rather: rap) with John Maynard Keynes and Friedrich August von Hayek, on recipes for dealing with the current, or any other, economic crisis. The lyrics, if you want to learn this by heart.

Sunday night econlinks: Submit the paper right now!

• The Tilburg Univ "Econ Schools Ranking". It is indeed using a rather decent pool of journals (for period 2004-2008) and moreover, you can construct your own top by choosing subsets of those journals (such as top 5 only, if you wish). Not a bad idea.

• Tabarrok on the issue of publishing referee reports. This by no means new, in fact I also had a few thoughts on this, inspired by others (inter alia, former editors at top journals, e.g., the PNAS) who had had such ideas etc.

• A pity they decided to close before I managed to assess them... While I honestly hope Ferran Adrià will revisit this decision, I cannot help noticing that this simply paves the way for the would-be King of Restaurants: El Bulli is dead, long live Noma! I promise to tell you more about Noma in the first week of April.

• (A noteworthy) LEAP forward at Harvard (via Al Roth, at Market Design). The sort of interesting academic initiatives that European universities would be wise to imitate (hope dies last)...

• Art catastrophes happen everywhere, quite frequently.

• The sustainable, meat-eating, vegetarians. And, (in a funny way) related, a great "Hústorta" short movie, by a promising young director, Jakab-Benke Nándor (with thanks to Dan). By the way, this Toldi restaurant in Cluj Napoca, on Clinicilor 23, (tried for the first time with the occasion of my recent trip there) is indeed a place where they know how to prepare meat. In general. So if you want good meat, definitely a place to try. The problem is that there is not much else than meat there... Literally. And they could do so much more. The service and ambiance are pretty decent, though they could invest in more/better marketing (online included, for instance).

• An ancient rejection letter (and more background to it). Would be a pity if this were not submitted to Economic Inquiry (first bullet point), for instance.

• Good: Jay McInerney apparently takes over the wine column at WSJ. Let us hope he's gonna be as entertaining as in Bacchus & me (first bullet point).

• Time to put all these culinary-links-Chicago in order and save for future reference, before I get there (blame the EU Commission if I am late): Chicago's great culinary middle ground. Assuming I will not go every second day to Avec (which I've tried twice by now) and above (looking very much forward to).

• Posner and Becker on consumer competence, in particular about whether any regulation concerning obesity is necessary. Or proof of the fact that Becker has a Nobel in Economics, while Posner only believes he should get one...

• And, finally for today, under the heading "Econ work is never over", this is a perfect advice for people like myself: "Submit the paper right now! Submit the paper right now!" Brilliant. Via Jeff Ely, at Cheaptalk.

Indignation. Leila. Zigeunerweisen. Leila

For some reason I (once in a while) remember something Supachai Panichpakdi, then-WTO boss, said at a keynote speach in a Rotterdam conference celebrating 100 years since the birth of Jan Tinbergen (earlier on this blog, in Romanian): namely that we, then-PhD students in Economics, should stop reading [all sorts of books, papers etc.] and start writing immediately [papers, books, anything?], without wasting any further time (footnote here: -- which I do not know if Blogger can handle-- next to that, Dr. Panichpakdi, who also appeared to speak more than decent Dutch, had all sort of nice memories involving his PhD supervisor, Jan Tinbergen, and, my favourite part, he had plenty of anecdotes about the intense interactions between himself, Pascal Lamy, the-- ironically-- current WTO boss, then- EU Commissioner for Trade, and Robert Zoellick, current World Bank boss, then-US Trade Representative; Lamy said later that year that 'Panichpakdi talks too much', when I brought that up to him, in a "Young European Citizen Convention" videoconference, where we could ask him questions...). Now, the thing is that I am more and more convinced (despite similar advice from other, call them, "seniors") that Panichpakdi was dead wrong in that particular suggestion: there is simply too much written stuff around, and most of it is worthless (vox populi: crap); you don't need to be part of that. Au contraire, in order to make a(ny) difference (assuming you do not get significant utility from simply writing down stuff, that is, from the action of writing/typing per se...), you'd better take all the time in the world and read sufficiently... before you write anything. I mean, you're still in gain committing the error of too much reading (can one ever err there?), then that of too much writing, all else equal. Some caveats surely apply (some revolve around the slight alteration "live sufficiently", instead of "read sufficiently.. before you write anything"), but no more space for those here: I wrote too much already :-).

Anyway, what I actually wanted to bore you with is that I have recently returned from home, i.e. Cluj, Transylvania, Vampire Empire, which nowadays happens to be part of Romania (more), a country where in order to get a new, biometric, passport, you have to wait no less than 20 (twenty! and they stress: week)days. In the Netherlands or Denmark (or any other sane country) you get the same, biometric, passport in 5 (five) days. And there they also do not (implicitly or explicitly) ask if you agree to be fingerprinted because (as in my country, the default assumption is that) you, as in you-citizen, might believe there is some connection of fingerprinting/digital photography/anything involving a biometric passport to a peculiar 666 number, or some-- whatever-- religion, or to both. Pathetic. And still (what a child, ain't it?), I insist: I want to have my Romanian (biometric or not) passport. I am by now 99% sure that Marcus Messner's so perfectly displayed indignation (hopefully they get back to their senses in that Nobel Literature committee and give the next prize to Roth, rather than persisting in rewarding mediocrity) is simply a most natural feeling, with or without Olivia (or Bertrand Russell) in the background.

Maybe it is better to talk/write about what we love. So here she is once again, Leila: this time together with Sarasate and his Zigeunerweisen (earlier). More about Pablo de Sarasate's masterpiece (including an incredible 1904 recording of Sarasate himself playing it!). More on Leila's Zigeunerweisen. Fabulous!

Albert Einstein Bizottság: Szerelem

I don't think it has occured to any of you that simulated maximum likelihood OX programs, which often take days to converge (given I do not--yet!-- have the parallel computing power I would love to possess...), run much faster if in the meantime one listens to Albert Einstein Committee's brilliant music. Without any doubt, this is the best ever Hungarian band (where I 200% agree with the master of all good Hungarian music, wisest Daniel); and-- as conjecture-- probably the best Eastern-Central European band of the 80's (this should be as clear as-- to switch areas for a second-- the best movie of the same time, same region, being the Polish film "Seksmisja"; unfortunately no time to go in that direction today). Had they sung also in English, they could have been as popular as, dare I say, the Beatles (ok, I said it), two decades earlier; in any case, a band with a similar fate (extremely popular among domestic intelligentsia, but without too much exposure outside, mainly because of the language barrier) , about the same period, but in Western Europe, is for instance the Dutch band Doe Maar. In Romania, the closest to A.E. Bizottság is probably Timpuri Noi (though their top work came out in mid/late 90's).

A subset of my favourite A.E. Bizottság pieces: "Szerelem" (perfect; if you make an effort to understand the lyrics, you will fully agree); "Kamikaze"; "Már megint ez a depresszió "; "Konyhagyeplő" ; "Putty Putty"; "Egy lány kéne nékem" (oh well, I see this one comes with a striptease session in the youtube clip; depending on your tastes/orientation that might be a plus or a minus :-)); finally (update) listen to/see this if you want the total fun part. You will enjoy all of it!

PS. Check out some other excellent/interesting Hungarian music I mentioned earlier on this blog: here, here, here, here, or here. Blame YouTube if clips are not available any longer (though, tip: you can still find them, if you search carefully, under different links).

ASSA '10 @ Atlanta

My whereabouts these days: attending the ASSA 2010--- I will present an obviously-will-be-top paper (joint with Elena), in the 5th of Jan, within the AEA section (you can find me in the program). Otherwise, first time in Atlanta, looks interesting so far, need to explore some more (by the way, it is rather chilly, but less so than in Chicago). Meawnhile, Ben Bernanke's just ended talk was pretty convincing, -- and his answers to the audience questions even better-- in a nutshell: there seems to be a weak link between mishaps of monetary policy and the housing bubble; while Chris Pissarides organized this morning a pretty good session on unemployment patterns/analysis/forecasts in this recession (with Shimer, Davis, Katz, and Pissarides in overall agreement ultimately-- except for the usual fight over lowering/raising minimum wages, with Davis and Katz on opposite fronts here--, though the devil's in the details...).

PS. Oh, and yes..., given that I am in Atlanta: Eva's unique "Tall Trees in Georgia" (earlier). Enjoy!

Happy 2010!

... although still more than 6 hours to go of '09, here, in Chicago. Where I have already discovered (in Devon Market; all credits to Daniel) an interesting range of rather decent Romanian wines (eventually I have settled for a Feteasca Regala from Jidvei and, something special for tonight-- I am very curious!-- a Dracula's Blood Merlot). Good to know, given that I'll soon spend quite some time around here.

Anyway, let us enter 2010 on Massenet's Méditation de Thaïs, wonderfully interpreted by the one and only Leila Josefowicz (how can one not be in love with this woman?!). THE music piece for the New Year (why not)?

Merry Xmas!

With credits to Irving Berlin, Bing Crosby, Mark Sandrich, and all the dolls out there.

PS. Recall also a most interesting analysis of Irving Berlin's creativity profile, once you wake up from the hangover :-).

The hard road to Transylvania

4 hours inside a KLM/Malev plane that just wouldn't take off at Schiphol (after 2 extra hours of waiting for the-- eventually, wrong-- plane to arrive); a (involuntary, for a change) night spent in beautiful but frozen Budapest (helped by the fact that my friend Balint was very inspired for the dinner suggestion; even the house white wine was very decent!-- though nothing like my favourite Hungarian white); quality time the next day (inter alia, absolutely great mushroom soup and venison with juniper berries, for lunch!) spent with my good old friend, master of all things Budapest, Daniel, while waiting for the uncertainty concerning trains towards Cluj to be resolved; and partly resolved it was after endless hours, although they forgot to provide a 1st class (they were considerate enough to give me a full 2nd class compartment instead, all the >8 hours long trip...enough time to go through quite a few Econometrica articles, tons of coffee, and a number of jazz and classical music albums...); but, finally, Transylvania it is, for the last couple of days: great feeling to be home. All nice and well, for the rest; among other things, my Xmas present arrived just in time, with compliments from the EU Commission.

Oh, and not to forget: You Baffle Me... (by the one and only female equivalent of Yann Tiersen out there, Shannon Wright; e.g. Shannon can also do this, or this, or this, or this.., and much much more, check out for instance all her wonderful Let in the Light album; plus, naturally, she had to collaborate on a fantastic album with Tiersen : for instance, this and this are simply perfect).