Showing posts with label creativity. Show all posts
Showing posts with label creativity. Show all posts

Saturday, March 12, 2011

Sondheim, Burton, Depp and Rickman's "Pretty Women"

I tend to watch great movies with a considerable delay..., but then again, my feeling is that I get to appreciate them much more in this way, aside all the initial hype and the turmoil associated with a new release (an auxiliary gain is that I can discard-- without having to go through the pain of actually watching them-- a lot of movies which were released with high expectations, only to turn out total flops, hence really what remains is above average or, in the best case, excellent). One of these movies is Tim Burton's Sweeney Todd (IMDb, RottenTomatoes), the movie version of Stephen Sondheim's famous musical that premiered only days before I was born (i.e., an eternity ago)-- and which I still promise myself to see on Broadway at some point (or: in London-- Sweeney Todd the musical was rumored to know a revival in London this year-- perhaps with Alan Rickman in the role of Judge Turpin, as in the movie; but, as it looks, this will hardly happen before next year...). In any case, this movie easily gets very high in my top movies all time, at least top 10 (my 25-movie hierarchy put together a while ago has changed significantly since then, as you no doubt noticed if you followed --particularly recent--blogposts set in my "movies" category).

Briefly, this movie broke several personal records among my earlier movie rankings/assessments: i). it is by far my favorite film version of a musical (Chicago was my top choice so far); ii). it is also my winning choice for a dark humor movie (title claimed earlier by Delicatessen); iii). it is my number one Tim Burton movie so far (though I still have to see some of his movies that might challenge that); iv). it is my best Johnny Depp movie to date (and I can safely say that I have seen most productions in which he acted; however, with Depp one can expect any time a new movie which can claim the first place in this ranking; another interesting observation I would make here is that Johnny Depp has that amazing quality of almost always being outstanding in his role, even if the rest of the movie in which he happens to play is mediocre or worse, which happened in a few cases). These opinions were strengthened after watching 'the make of', i.e. a series of interviews available  also on the DVD of the movie, with Tim Burton, Johnny Depp, Helena Bonham Carter, Alan Rickman, and several others among the actors and crew, plus the one and only Stephen Sondheim*.

Anyway, the point of me writing this post was to emphasize my possibly favorite scene of the movie (I say "possibly" because this choice might be mood-dependent to some extent), also my favorite piece of music from the soundtrack, the "Pretty Women" duet scene between Sweeney Todd and Judge Turpin (which remained in my memory and would not go away since). Here's the full scene from the movie. Here's an audio version only, with better sound quality. And here's an audio version with lyrics**.


* I thought of Sondheim as a genius ever since I first saw/listened to West Side Story, the Bernstein-Sondheim masterpiece. Among the interviews available on the DVD of "Sweeney Todd" there is one amusing line of Alan Rickman (who, by the way, played superbly Judge Turpin; more generally, the few movies where I have seen Rickman acting--still have to see some of the older ones-- already place him extremely high in my actors' ranking). He confesses that he thought absolutely crazy the fact that the great Stephen Sondheim himself came to listen to, criticize, and encourage the actors--most of whom never sang publicly before and were thus 100% amateurs when it came to musicals.

** There are other fabulous parts of the soundtrack/scenes (after all, the whole thing is superlative, you should not miss anything!). A personal selection: "No place like London", "Johanna" (Antony's version), "By the sea", "Epiphany",  "My friends", "A little priest"-- the latter with a bonus: "A little priest" 2005 live version, with the original Sweeney Todd musical casting of Angela Landsbury as Mrs. Lovett and Len Cariou as Sweeney Todd.

Wednesday, February 23, 2011

Econlinks: The Freudian interlude

Sunday, February 06, 2011

Econlinks: Of (visual) art, old and new

  • The third and the seventh: imagination materialized or Alex Roman's computer generated art. Via Michael Nielsen
  • Staying in CG: meet Julia Map, of Google ancestry. And since we're here, read how the fractals changed the world --which was in a way also part of the obituary to Father Fractal, Benoit Mandelbrot, who passed away a couple of months ago; see a better one from the Economist. My own brief memories of him: I met Mandelbrot at a workshop on economics with heterogenous agents (WEHIA) at Essex University, back in 2005. Before his keynote speech, he introduced himself in the following very humorous way (paraphrasing): "Hi, I am Benoit Mandelbrot. And I am not dead yet. [pause] I tell you that because I have just met somebody in the corridor who told me: 'OMG, you are Benoit Mandelbrot. I thought you were dead for a long time now' ". 
  • Meet Jeremy Mayer, tamer of the typewriter. "I disassemble typewriters and then reassemble them into full-scale, anatomically correct human figures. I do not solder, weld, or glue these assemblages together- the process is entirely cold assembly. I do not introduce any part to the assemblage that did not come from a typewriter"
  • Back to the traditional, but impressively executed: meet Camille Seaman. From the "Last Iceberg series" statement: "Nick Cave once sang, 'All things move toward their end.' Icebergs give the impression of doing just that, in their individual way much as humans do; they have been created of unique conditions and shaped by their environments to live a brief life in a manner solely their own. Some go the distance traveling for many years slowly being eroded by time and the elements; others get snagged on the rocks and are whittled away by persistent currents. Still others dramatically collapse in fits of passion and fury."
  • On the art of fiction: interview with Michel Houllebecq, born provocateur. Hat tip MR.
  • And yes, she is back online (hopefully she is now here to stay)! Meet my friend Anna, talented photographer and undercover economist. 

Tuesday, January 25, 2011

Econlinks: In degrees of awesomeness

  • Greg Mankiw seems to be arguing for a European-type separate master + PhD graduate Econ program-- such as those at LSE, Oxford, Pompeu Fabra, Tinbergen Institute, and (I guess) the newish Paris School of Economics entity-- rather than the US-type graduate PhD package, which comes with a (usually elective) master on the way (that is somewhat ironic, given the desire of the typical high-aspiring European place to ultimately emulate the US top places). In any case, assessing the total costs and benefits of these two alternatives remains a difficult empirical quest.
  • Awesome grants, via Michael Nielsen.
  • MR has linked to direct evidence that the History academic job market was hit way harder (e.g., this year lowest number of positions in a quarter century) than the Economics academic job market (and most likely than any other discipline's job market), which is almost back to the pre-recession level. (My wise friend Daniel, the historian of science with whom I talked several times about this, was absolutely right in his intuitive assessment) 
  • Awesome (albeit late) discovery. After reading Gelman's WSJ story, I am decided to request a priori a "kill fee provision", whenever I am asked again to write stuff for various non-scientific outlets; I had similar experiences with a couple of Romanian (some, not surprisingly, now defunct...) newspapers, and, in particular, with the (very surprisingly, still surviving...) Aarhus School of Business internal press. Except that I ended up wasting time and not getting any 'kill fee' for it. Sometimes you have to learn from your own mistakes.
  • Creative love song for Friedrich Hayek. Great, as so far Keynes seemed to get all the love (plus the hangovers, true): last bullet point
  • Very well presented classic economic arguments for raising public college tuition fees by Gary Becker and Richard Posner. Digest them carefully, as they might appear counter-intuitive (witness the frequent nonsensical arguments against such tuition raises) even to intellectuals -- those without training in and/or understanding of Economics. 
  • Awesome reply to comment in the scientific journal world. 
  • As controversial as outputs of such activity might currently be, concretely gathering brains in such 'intellectual ventures'--in fact: literally leading to brainstorming-- is just awesome. The idea in itself is of course not new, Myhrvold just had the will-- and financial means!-- to implement it on such a scale

Sunday, January 02, 2011

Take 5 in 2011

Let us start this new year with a legendary jazz piece: Paul Desmond's "Take Five"; recall first the original instrumental version, superbly interpreted here by The Dave Brubeck Quartet, exactly 5 decades ago. Once you've got the feeling, proceed to the vocal variant--with lyrics by Iola and Dave Brubeck-- to capture the whole message; one of my favorite versions must be the very creative Dave Brubeck- Al Jarreau '97 get-together, the first and likely the only time they performed on the same stage.

Happy New Year!

Saturday, December 04, 2010

Flawless: Kseniya

I have not seen anything more dramatic and powerful than this in the modern art world perhaps since Pink Floyd's The Wall movie. This is a work of perfection, there is no single detail left to chance; for instance, obviously it could have only ended apocalyptically-- on Apocalyptica's version of Nothing Else Matters.

After this, what is left for us to write? I bow in front of the real talent.




Tuesday, November 30, 2010

Blog birthday. Senses. And jazz.

Born in the anonymity of the blogosphere 5 years ago, this weblog grew up a curious, motivated, and responsible toddler: its (no longer) secret ambition remained no less than saving the world-- despite repeated trials of dissuasion by its author, who once foolishly pledged allegiance to the infusion of blogs about nothing. Thus, as this blog claims and proved a certain maturity, it will receive two significant presents for its half decade birthday. To be shared with its select audience:

  • a second perennial motto, see blog footer; David Hilbert's Optimismus in der Forschung (und in das Leben!) is joined by Giacomo Casanova's raison d'être.
  • a wonderful, complex, complete musical masterpiece; Chicago right now feels almost as dim and rainy as Barron and Haden's flawless "Twilight" in NYC.

Monday, November 15, 2010

Chicago Michelin Preamble: The Bib Gourmands

The starred restaurants will be known only in two days, but meanwhile here is the Bib Gourmand list (via Fred, who's actively tweeting lately): Michelin's 46 Chicago places that will give you plenty of bang for your buck. I have tried already six very nice places from this list (and have had about another dozen on my priority to-check-out list); time permitting, I will be at some point back with detailed impressions. Meanwhile, here they are, in (weakly) descending order of my current (overall: food quality, ambiance, location) preference-- highly recommended!
I further think they are missing at least two important restaurants in the Bib Gourmand set, unless they actually plan to reward them with a Michelin star, which would not be that surprising: Sweets and Savories, and respectively Avec, both of which have a similar position as The Girl and The Goat in my ranking. 

As for the Chicago Michelin stars, my bets are the following. First, my obvious choices: Alinea (my top ranked must-try-place in Chicago; number 7 in the 2010 San Pellegrino top 100-- and the only Chicago eatery in there!-- must translate in two or three stars); Moto (had a fabulous dinner there, just second to my two experiences at Copenhagen's one and only Noma, on par with my very recent experience at NYC's exquisite Per Se or Tokyo's unforgettable Les Creations de Narisawa, and-- I would venture to say-- superior to my otherwise superb dinner at San Francisco's Michael Mina); Spiaggia (best Italian I've tried as yet: must be starred). Other obvious favourites for one or more stars (all on my still-have-to-try Chicago list): Charlie Trotter's, Tru, TopolobampoBlackbird; finally, some further potential candidates, particularly for 1 star: Schwa, L2OTakashi, Northpond, Sprout, Sepia, Michael, Les Nomades (plus, as stated above, places that impressed me earlier like Avec and Sweets and Savories, which do not appear in the Bib Gourmand set). Stay tuned, less than two days left!

Saturday, August 14, 2010

Up in the air

It is great, truly great. In fact IMDb and RottenTomatoes do not give it sufficient credit. I was told I would love it, by people who know me, but I didn't just love it: I adored it. One of my favourite scenes is also one of the most brilliant dialogues/pick-up strategies, on screen and beyond. It is a shame the movie did not win any Oscars, given the six (only!) nominations it received. "Superlative" is not doing enough justice to the acting performances of George Clooney, Vera Farmiga or Anna Kendrick, with the film also an example of perfect direction and screenplay by Jason Reitman & co. It belongs right there, in my top 5 all-time favourites.

To top it all, I've seen "Up in the air" just the proper way, up in the air-- during my Chicago-Amsterdam trip yesterday. And, obviously, I write this post from Schiphol's KLM lounge, soon to be up in the air again, this time to Shanghai. "Bingo. Asians."

Sunday, July 18, 2010

NBER SI & ICA @ Boston

Mid July, terribly hot, Cambridge, serious Econ research: high time for the yearly NBER Summer Institute. Yesterday I attended an interesting second part of the EF&G Research Meeting, where in particular I'd single out Chetty's paper on bounding labour supply elasticities with optimization frictions (succeded by Rogerson's excellent discussion). From tomorrow onwards I'll look forward to the presentations of what a priori appear to be quite exciting papers within the Macro Perspectives Workshop.

If Economics is not your favourite dish and you really refuse to read any of the papers linked above: I've also discovered today a place in Boston to feast your eyes and spirit (every time I discover a few more such places in Cambridge/Boston and surroundings): the Institute for Contemporary Art (ICA). Those of you who enjoy(ed) London's Tate Modern or NY's MoMA will also be very fond of ICA, a smaller scale but equally fascinating place. These days it hosts for instance an exhibition of works by the Mexican artist Dr. Lakra. Several pieces therein are indeed freakishly good.


PS. As you know, New England is one of my top destinations, one chief rationale for that being its culinary delights. Stay tuned to find out -- research comes first, so foodies will have to wait somewhat-- what (else, besides the famous clam chowder) you should in no way miss tasting in Boston, and, crucially, where to do that.

Saturday, March 06, 2010

Weekend econlinks: The quest for perfection

  • Gelman writes a useful overview on causality and statistical learning (caveat lector: I have only read through Angrist and Pischke's book, among the three Gelman mentiones; that one is very well written, but aimed at junior graduate students at best: hence, the book's tag "an empiricist's companion" is overselling it; and that has nothing to do with Josh Angrist kindly "advising" me to change my PhD topic/focus, sometime in my beginning graduate years, because 'nobody serious would be interested in structural modelling' :-)). I guess I would position myself more within the “minority view” set, represented here by Heckman (I wouldn’t say that is really a "minority" within Economics alone, by the way), but the usefulness of these debates cannot be questionned. And an outsider's (to Economics) opinion, such as Gelman's, is always more than welcome. Related, the WSJ talks about statistical time travelling to answer interesting counterfactuals; I have a feeling I'll stick to my structural guns for now...

  • The ubiquitous problem with such academic et al rankings (which I brought over and over, including in earlier posts and articles, particularly concerning the academic ranking obsession in Romania, where they also-- still! -- have problems understanding that a publication 'anywhere in ISI' can be total nonsense) is that they try to rank overall, ie. over all disciplines, often over (too) long periods of time etc. The only meaningful hierarchies in science are those done on specific disciplines and, even better, subdisciplines, and over shorter periods of time, thus revealing top new places etc. Then, inter alia, one would not be able to claim that biological sciences are advantaged, since there would be a within-discipline focus. I haven’t heard a single serious (but plenty of marginal) scientist(s) stressing the relevance of the rank of her/his university/institution over that of her/his department/research group. Politicians and journalists should take note, too.

  • Gastronomic sacrilège: where have all the great cheeses gone-- roquefort, camembert, brie de Meaux, Saint-Félicien, gruyère, comté, münster, pont l’évêque, cantal, reblochon, tomme de Savoie, crottin de chavignol?! Worse, together with the cheese, soon gone might be oysters, and epsilon common sense... Quo vadis, France?

  • The most exciting scientific upshot I've heard about in a great while: explaining the tip-of-the-tongue moments. It comes finally clear (although at this stage I understand it is still just speculative/conjectural, and needs more testing) why polyglots (such as I like to consider myself...) have more of a problem in remembering specific words than people who use a single language: “ […] this kind of forgetfulness is due to infrequency of use; basically, the less often you use a word, the harder it is for your brain to access it." Good, I will feel much better when invoking 'lapsus memoriae' next time :-).


  • How very true, though my feeling is that the battle for the brightest junior (and not only) Economists is far from over. It is sadly not Europe overall that might offer an alternative for European economists (not a chance: for starters, Europe needs to cut that embarrasing red tape where academics depend on useless, worthless, ridiculous bureacrats, and to think of attractive real wages... ), but Canada and Australia, which look more and more like worthy competitors to the USA (top; the bulk is way worse than pretty much anywhere in western Europe) places (related, earlier).

Thursday, March 04, 2010

Shawms and bagpipes

Superlative medieval tones, and a combined use of Romanian & Latin lyrics, in Mille Anni Passi Sunt. Plus, you cannot afford to miss my other personal favourites (including videoclips of live --ad litteram-- shows): Dulcissima, O Varium Fortune, Venus Vina Musica, Totentanz, Chou Chou Sheng, Ballade de Mercy, Suam Elle Ires. A total medieval feast, by the extremely creative Corvus Corax!

(with credits to The Eclectic Metalhead, and YouTube).

Sunday, February 28, 2010

Sunday night econlinks: Interviews edition

  • Interesting interview with urban and environmental economist Matthew Kahn on green cities, environmental Kuznets curves, demographics in major cities, policies to attract and retain a skilled population base etc. Here’s one of the parts I like most: “I'm an honest man. I think it's important to know what you don't know. When you know that you don't know something, the answer is to experiment! “ Valid beyond this context.

  • A chat with Greg Mankiw, Harvard professor, successful Economics blogger, former CEA head, and a total family guy.

  • December ’09 video interview with John Nash; inter alia briefly touching on inaccuracies in A Beautiful Mind , childhood, home encyclopedias, meeting his wife, asking refugee status in Europe, willingness to still do some academic work etc.

  • Interview with entrepreneur Peter Thiel, among other things cofounder of Paypal, and first investor in Facebook. Though confused about a few specific issues, his overall idea makes a lot of sense.

  • Short interview with Yoram Bauman, the one and only stand-up Economist, on the need for humor and cartoon textbooks in Economics. We love this quote: “I put my left hand on the small of her back, I put my right hand on the curve of her hip, I put my invisible hand on her thigh

Sunday, February 21, 2010

Sunday night econlinks: Submit the paper right now!

  • The Tilburg Univ "Econ Schools Ranking". It is indeed using a rather decent pool of journals (for period 2004-2008) and moreover, you can construct your own top by choosing subsets of those journals (such as top 5 only, if you wish). Not a bad idea.

  • A pity they decided to close before I managed to assess them... While I honestly hope Ferran Adrià will revisit this decision, I cannot help noticing that this simply paves the way for the would-be King of Restaurants: El Bulli is dead, long live Noma! I promise to tell you more about Noma in the first week of April.

  • (A noteworthy) LEAP forward at Harvard (via Al Roth, at Market Design). The sort of interesting academic initiatives that European universities would be wise to imitate (hope dies last)...

  • The sustainable, meat-eating, vegetarians. And, (in a funny way) related, a great "Hústorta" short movie, by a promising young director, Jakab-Benke Nándor (with thanks to Dan). By the way, this Toldi restaurant in Cluj Napoca, on Clinicilor 23, (tried for the first time with the occasion of my recent trip there) is indeed a place where they know how to prepare meat. In general. So if you want good meat, definitely a place to try. The problem is that there is not much else than meat there... Literally. And they could do so much more. The service and ambiance are pretty decent, though they could invest in more/better marketing (online included, for instance).

  • Time to put all these culinary-links-Chicago in order and save for future reference, before I get there (blame the EU Commission if I am late): Chicago's great culinary middle ground. Assuming I will not go every second day to Avec (which I've tried twice by now) and above (looking very much forward to).

  • Posner and Becker on consumer competence, in particular about whether any regulation concerning obesity is necessary. Or proof of the fact that Becker has a Nobel in Economics, while Posner only believes he should get one...

Tuesday, February 02, 2010

Albert Einstein Bizottság: Szerelem

I don't think it has occured to any of you that simulated maximum likelihood OX programs, which often take days to converge (given I do not--yet!-- have the parallel computing power I would love to possess...), run much faster if in the meantime one listens to Albert Einstein Committee's brilliant music. Without any doubt, this is the best ever Hungarian band (where I 200% agree with the master of all good Hungarian music, wisest Daniel); and-- as conjecture-- probably the best Eastern-Central European band of the 80's (this should be as clear as-- to switch areas for a second-- the best movie of the same time, same region, being the Polish film "Seksmisja"; unfortunately no time to go in that direction today). Had they sung also in English, they could have been as popular as, dare I say, the Beatles (ok, I said it), two decades earlier; in any case, a band with a similar fate (extremely popular among domestic intelligentsia, but without too much exposure outside, mainly because of the language barrier) , about the same period, but in Western Europe, is for instance the Dutch band Doe Maar. In Romania, the closest to A.E. Bizottság is probably Timpuri Noi (though their top work came out in mid/late 90's).

A subset of my favourite A.E. Bizottság pieces: "Szerelem" (perfect; if you make an effort to understand the lyrics, you will fully agree); "Kamikaze"; "Már megint ez a depresszió "; "Konyhagyeplő" ; "Putty Putty"; "Egy lány kéne nékem" (oh well, I see this one comes with a striptease session in the youtube clip; depending on your tastes/orientation that might be a plus or a minus :-)); finally (update) listen to/see this if you want the total fun part. You will enjoy all of it!


PS. Check out some other excellent/interesting Hungarian music I mentioned earlier on this blog: here, here, here, here, or here. Blame YouTube if clips are not available any longer (though, tip: you can still find them, if you search carefully, under different links).

Wednesday, November 18, 2009

Songwriters as innovators


Irving Berlin and Cole Porter were two of the great experimental songwriters of the Golden Era. They aimed to create songs that were clear and universal. Their ability to do this improved throughout much of their careers, as their skill in using language to create simple and poignant images improved with experience, and their greatest achievements came in their 40s and 50s. During the 1960s, Bob Dylan and the team of John Lennon and Paul McCartney created a conceptual revolution in popular music. Their goal was to express their own ideas and emotions in novel ways. Their creativity declined with age, as increasing experience produced habits of thought that destroyed their ability to formulate radical new departures from existing practices, so their most innovative contributions appeared early in their careers.



This is the abstract of David Galenson's new paper on the two creativity patterns in songwriting. Extremely interesting, very convincingly argued, and at the same time a crash course into the musical biographies of Berlin, Porter, Dylan, Lennon and McCartney. See also a previous entry on Galenson's research.

Sunday, April 26, 2009

Sunday night econlinks

Sunday, March 15, 2009

Sunday morning econlinks

  • Incentives and globalization, a brief but very interesting interview with Luis Garicano. Topics tackled here are CEOs, football, and...everything else.

  • Finally, for those of us who have non-convex desires, you might also consider the girl's marginal benefits (the lyrics) :-). The latter is also my proposed song of the day. All together now, accompanying Mike Toomey and Julia Zhang (excellent stuff, ad majora!): "Cause girl your marginal benefits far outweigh your marginal costs/ Without our equilibrium baby well you know I'd be lost/ Trapped inside this market I need you to buy my love/ Girl without your complementing goods well I'm just not enough"